Gaëtan BRULOTTE

Gaëtan Brulotte studied literature at Laval University (Quebec City), and at the Ecole des Hautes Etudes in Paris in the surroundings of his mentor, Roland Barthes. Award-winning and widely anthologized Francophone creative writer, he published a novel Double Exposure; four collections of short stories: The Secret Voice, What Holds Us, testing, Life Sideways and a play Le client (translated as The Violins), premiered at the prestigious Avignon Drama Festival in 2001. His second play, La liquidation, was staged at the University Stendhal at Grenoble in 2007. His fiction works won over fifteen literary awards and are translated into several languages, including English, Italian, Spanish, German, Serbian, Romanian, and Hungarian. Many of his narratives were adapted for stage, television, cinema, and radio. He has also published a number of essays including his critically acclaimed Œuvres de chair. Figures du discours érotique (1998); his collection of critical essays on contemporary French literature Les cahiers de Limentinus. Lectures fin de siècle, published in 1998; a cultural study on a major Canadian painter, L'univers de Jean Paul Lemieux published in 1996 with a foreword by internationally renowned writer Anne Hébert, and a reflexion on literature and creative writing, La chambre des lucidités in 2003. He has also co-edited with a British colleague an Encyclopedia of Erotic Literature (New York: Routledge, 2006), a comprehensive description of works, written throughout history in many different languages and in which ‘sex-talk’ is the dominant discourse. A project which involved hundreds of contributors from different parts of the world. Among critical studies published on his works, let's just mention a monograph entitled Gaëtan Brulotte: Une Nouvelle Ecriture edited by Claudine Fisher (NY: Mellen, 1992), a collection of critical essays by seventeen scholars, a book that won in Strasbourg (France) the 1992 International Prize for Francophone Studies. Gaëtan Brulotte has also given himself around two hundred interviews on television, radio, in periodicals or for scholarly books concerning his works. For more info, see his bilingual website: gbrulotte.com. – 2008-01

 
Icon Legend
When available, click on the image to learn more about the publication , the cast , the set or other 's activities around the play.
Titles in alphabetical order
One Shop Stopping
 
One Shop Stopping
  English translation by Richard Lebeau.
  Original title: Le client (Éditions Lansman, Belgique, 2001).
Running time
  1 hour 30
Cast
  1 W, 2 M  More about the cast   More about the the suggested set
Synopsis
  Meticulously assembled from seventy individual parts, a violin is a world unto itself. Mac’s dimly lit shop contains an entire universe composed of many such worlds. With no successor in sight, what will become of the old instrument maker’s rare violins, his transcendent tools, the workshop itself, and yes, what will become of Melanie, his constant companion? Situated somewhere between reality and fantasy, this play explores the search for perfection as a passing client comes to know the unique passion that these violins invoke.
Excerpt
  « MAC: Like! Like is not the word for it! It’s madness! I’ve dedicated my whole life to them. […] … Do I like violins? My dear sir, I love violins! All my life, I’ve made enormous sacrifices for this instrument. You see, it is my sole passion and has replaced everything else. I’ve never led a normal life, I mean like everyone else does. […] (In a low voice as if to prevent someone from overhearing him.) I never married, for example, as I was already married to my violins. (Short laugh) You see, I had no love left to give to anyone. Do you understand? »

 
PLAYS AVAILABLE AT CEAD (Some notes in French may appear below)
  La liquidation [2007]
Le client [2001] (Éditions Lansman, Belgique, 2001)